Another tough day at the office.
Another tough day at the office.
The tubes for my Mesa Boogie Lone Star Special arrived last week. I installed them and I instantly heard a dramatic difference. Truly remarkable.
Okay. Just kidding. Perhaps there is a difference in the sound but it is quite subtle. The amp sounds wonderful as always except that the microphonic noise has disappeared. I am playing this week-end so I will get a chance to give it a work out. I may notice some changes to the sound in a live setting. Or maybe the new tubes need some time to burn in.
I purchased my Mesa Boogie Lone Star Special 1×12 combo amp back in 2005. Wonderful sounding tube amp. A few weeks ago, one or more of the tubes became microphonic. I was able to trace the noise back to one set of power tubes — they operate in pairs — although it looks like I need to retube the whole amp. It has been four years after all.
Although I do pay some attention to the tone wars on tubes, I’m not sure that I have the time or money to audition dozens of them. I ordered a full set of tubes from thetubestore.com, a Canadian source for such products. I purchased 4 JJ EL84s, 5 JAN-Philips 12AX7s and 1 Sovtek 5Y3GT.
I still used the amp over the past two week-ends and it held up fairly well although I did have to put it to standby when I was not playing.
Some players believe that retubing opens up the sound of an amp. That even after six months or so, the tubes can become “tired” with frequent play and the sound does not bloom as it should.
Not sure I believe that but I do know that when tubes start to go microphonic, it is time to replace them. Funny, the tubes on my 1984 Fender Super Champ were replaced only once after 20 years. I replaced the tubes with some highly recommended NOS tubes. I did not notice a major change in sound. Did the amp sound different or better than before? I guess spending a couple of hundred dollars on tubes might influence the answer to that question.
Rockin’ Rick and the Holy Cows. Really fun to have a new member join us on the drums.
I wired up the pedal board last night and I am really pleased with the result. First up is a shot of the old pedal board:
And here are some shots of the finished pedal board. Much cleaner and much easier to use.
Headed into Toronto this evening as I have a series of meetings here tomorrow. After I settled into the hotel, I decided to drop by the new Cosmo Music Superstore in Richmond Hill. I was looking for some George L’s as my Trailer Trash Pedal Board came in yesterday. And I will be rewiring the pedal board over the week-end.
What a store. One of the staff was good enough to walk me through some of the special features of this location. Aside from tempting me with a new Suhr or Tom Anderson, he took me into a special room that models different halls. If you want to hear what your instrument sounds like in a cathedral, this room will model the acoustic space in a pretty compelling way.
I have traveled widely across Canada and the United States and I have been in a number of guitar superstores. Cosmo is certainly one of the best I have seen. Most impressive.
And maybe I might be swayed to a particular model of Suhr. Andrew said he would cut me a great deal on this guitar.
I have been running a relatively small pedal board for my live guitar rig. During the past few months, I have been running into a few issues with it during my live gigs. Not enough space for all the pedals I want to carry and redundant power and signal loops. Although the cabling is relatively neat on the board, it is still exposed and subject to some wear and tear as much of it gets externally routed and pulled during performance play. I have a line in from the guitar, a line out for the amp channel switch, a line out for the amp input, and a send and return loop for the delays. And an AC input for the VooDoo Labs Pedal Power.
Here is an older photo of the current board. Since this picture was taken, I added a wah pedal, and an Analog Man Orange Squeezer. Needless to say, the board is a bit cramped with too many exposed cables.
I decided to move ahead with a Trailer Trash Pedal Board. The 28 by 16 Pro Series. Better design and a lot more flexibility to wire the board without exposing the power supply, the signal lines as well as the AC lines. I ordered the board from James. Really nice man and very prompt in answering my questions.
My layout will be a bit different and I will post some photos once I get it all set up. But for those guitar geeks who drop by the blog from time to time — and you know who you are — here is an example of the new Trailer Trash Pedal Board. Very clear from the photo that the board can basically dress all cables underneath with secure connectors on the sidewalls:
I have my eye on a Fender Custom Shop 56 Strat NOS. I enjoy my American Deluxe Fat Strat but I would like to get back into a more traditional Strat and I cannot afford to get a vintage model. Even this one is a bit expensive for me.
It seems as though money is no object for some players. I see some vintage Strats going for over $45,000 USD. When the Fender Custom Shop put the Eric Clapton Blackie Strat up for sale — a limited edition run of 185 guitars — they sold them all in seven hours. At $24,000 each. Over $4 million dollars in sales.
Given the performance of the market, I wonder if it makes sense to switch from stocks to Strats.