My Guitar Collection
2015 Fender Custom Shop 1963 Stratocaster
This 2015 Fender Custom Shop 1963 Stratocaster features a deep-contoured alder body with an Olympic White lacquer Relic finish. Tone comes from three hand-wound ’60s Stratocaster single-coil pickups (reverse wound/reverse polarity middle pickup) with modern five-way switching. The guitar also features a quartersawn maple neck with a comfortable ’60s oval C profile and small headstock, 9.5″-radius round-laminated rosewood fingerboard with 21 narrow jumbo frets, a three-ply mint green pickguard, vintage white control knobs, American Vintage bridge, and American Vintage tuning machines. A nice complement to my 2011 Custom Shop Strat.
2011 Fender Custom Shop Stratocaster Pro
This 2011 Stratocaster Pro is made by the folks at the Fender Custom Shop. The guitar is fashioned from 100-year-old pine and finished with nitrocellulose lacquer over a copper colour. The neck is quartersawn maple with a large “C” back. The maple fingerboard holds 22 frets with a 9.5 inch radius and 6100 frets. Sound is produced through Master Design pickups with 5-way switching and no-load middle/bridge tone control.
2012 Fender Select Telecaster
I also spend a fair amount of time with my 2012 Fender Select Telecaster. This guitar has a Violin burst gloss lacquer finish on a resonant honeycomb-chambered ash body with a solid flame maple top. It also features a “C” shaped birdseye maple neck with a 9.5 inch compound radius birdseye maple fretboard with 22 medium jumbo frets. The pickups are specific to this model and offer three-way switching with a no-load tone control on the bridge pickup.
2010 Collings CL Deluxe
Could this be the ultimate single-cutaway guitar? The CL Deluxe from Collings is the pinnacle of years of refinement to this classic guitar shape. Always the best materials, technique, and workmanship go into making each Collings guitar a true masterpiece. It is a beautifully crafted guitar that stays mostly in its case. I did not bond with this one.
1976 Les Paul Standard
This was my first good quality electric guitar. I bought it second hand for $300 in the late 1970s. It was played hard back then as I was actively touring and recording all around Canada and the United States. Despite the work on the road and over 36 years of service, the guitar looks almost mint. This guitar does get played from time to time but usually only at home or in the studio.
1981 Ibanez AS 200
I really, really wanted a Gibson ES-335 guitar. My guitar hero at the time, Larry Carlton, played one. That was reason enough for me to begin my search. However, Gibson in the 1980s was not producing really great guitars. I could not find one that would sing. My local guitar shop suggested that I try the new Ibanez Artist Series guitar. Nice instrument. It stays home for the most part. This particular model year is highly valued and I can see why. It is a remarkably well made instrument for the period.
2014 Ibanez Artstar AF155
This is my second hollow body Ibanez, the Artstar AF155. I love to play jazz and, in another decade or so, I may get to a level where I can justify a higher-end jazzbox. But, for now, this one is not holding me back. Wonderful, woody tone for jazz.
1994 Paul Reed Smith Custom 22
After I finished touring I sought to establish a new career in business and technology. When I became an executive at a large financial services organization, I rewarded myself with my first “boutique” guitar: a Paul Reed Smith Custom 22. I have a few friends who think that this guitar is the best one of my collection. However, for me, it is a nice guitar but not a great guitar. It does the job but rarely goes out on stage anymore.
2008 Tom Anderson Drop Top
The Tom Anderson Drop Top is a boutique Super Strat. Great sounding guitar and I used to play it all the time. Very versatile. I was stuck between single coils and humbuckers so I bought another HSS guitar. This was a much better instrument to play than my 2004 HSS Stratocaster.
2004 Fender American HSS Stratocaster
Well, it is red. I’m not sure what else to say about it. I use it now whenever I have one of those gigs where I need a bit of a better instrument but one where the conditions might be a touch harsh. For example, I have used it to play on the Rogers Media float in the Santa Claus Parade. And that is really about it. Pales in comparison to my 2008 Tom Anderson and my number one Strat.
2009 Squier Custom Vibe Telecaster
This one was a terrific find. A Chinese Tele that plays well and sounds pretty good especially for the low price. A perfect guitar for a student just starting out or for an accomplished player who needs a low cost guitar. I take it out when the venue might be harsh on a wooden instrument, such as hot, humid summer days.
2012 Cleaver ‘Caster
Matthew and I worked on this guitar for a school project. Matthew did almost all of the work on the guitar including the paint, much of the woodworking and most of the electronics. We do need to take the guitar in for a tech to do the final setup. It holds a special place in my guitar collection.
Fender American Jazz Bass (5-String)
I used to play a lot of bass years ago and I picked up this Fender American Jazz Bass along the way. I don’t remember when but I have had it for a few decades for sure.
2012 Collings D2H
This is one incredible acoustic guitar. The square-shouldered 14-fret dreadnought is a very popular design. Collings brings such depth and warmth of tone. I have not played a better sounding acoustic. Ever.
1972 Guild D40
I bought this guitar new at Steve’s Music in Montreal. That was, ahem, 43 years ago. I took it with me everywhere I went. I believe it has gone out to my oldest son along with another of my acoustic guitars. Well, at least it is still in the family.
2001 Taylor 314CE
I was getting asked to sub in on acoustic guitar from time to time and I decided I needed an acoustic with a built-in pickup system. My 1972 Guild D-40 was not engineered for the stage. The Taylor is a bright and willing acoustic and does its job well. It has the feel of a mass-produced instrument — certainly functional but it seems to lack the soul of some of the other guitars that I own. However, it too has made its way to my oldest son.
My Amp Collection
Swart AST Mk II
The AST MkII is Michael Swart’s take on a head and cab rig with 4/8/16ohm impedance selection, the ability to run the 6V6, 6L6, and EL-34, along with the addition of a completely bypassable dedicated tube stage master volume. The all aluminum, star ground chassis is housed in a hand-made , finger-jointed, solid wood cab, covered in lacquered tweed. I run the amp with 6V6 tubes. Sounds great.
Swart STR Tremolo
The Swart STR Tremolo is a 5 Watt amp with a terrific tremolo effect. Awesome tone that can be found at reasonable volume levels. This amp provides plenty of options for melding the clean tone, including a three-position EQ switch that can toggle between a natural clean tone, warm distortion and a fuzzier retro-styled tone. I have it loaded with a 6V6 power tube. I went with the limited edition AST tweed style. It looks really cool and it is about the size of a small tweed amp. It weighs almost 30 pounds.
Morgan AC20 Deluxe
The Morgan AC20 Deluxe 20W tube guitar head is a relatively simple amplifier that is capable of producing a myriad of early ’60s British tones. The switchable EF86 tube helps to make the range of tones from the cleanest of EL84 chime to high-gain growl. A great take on the classic Vox sound.
Mesa Boogie Lonestar Special
For a number of years, this was my main gigging amp. I love the tones and the flexibility of this amp. I hate the weight. As I got older, the 65-pound amp became much, much heavier. I do use it in the studio and I have taken it out a few times over the years.
Fender ’64 Deluxe Reissue
This amp was also heavily used for a number of years. Classic, blackface sound. I had the amp modded to give me just a bit more tone.
Fender ’57 Tweed Deluxe Reissue
When I found this Tweed Deluxe, I thought my search for tone had ended. And it did. Until the amp started breaking down. I had it serviced multiple times but it was no longer reliable. It would exhibit very unusual sounds and loss of tone that couldn’t be traced to bad tubes, bad solder joints or bad anything else. Too bad. It was a great sounding amp. I still use it from time to time at home.
This is my new Tweed Deluxe. Handbuilt by Michael Clark. Awesome attention to detail in the build and, yes, it has that Tweed Deluxe sound.
Fender Super Champ
I purchased this amp in 1984. It was immediately after I had gone to a Phil Keaggy concert. All Phil had on stage was a Strat and a Fender Super Champ. The Champ went through the house via a Shure SM-57. I thought that all I needed to do to get his sound was copy his rig. Good tone turned out to be a bit more complicated than just duplicating someone’s rig.
Mesa Boogie Road King Dual Rectifier
A really big rig. The classic Mesa Boogie tone machine coupled with a 4×12 cab. This amp can go to 11 and then some.
Hughes & Kettner TubeMeister 18
A very small and compact tube rig that has a built-in power level control to adjust the power output from 1 Watt to 18 Watts. It is also equipped with a pretty decent direct out cab emulator. Handy for those gigs where volumes need to be well managed on stage.
I use Dunlop Ultex Sharp 2.0mm picks. I buy them in bulk.
I play D’Addario strings. 010s on the single coil guitars and 011s on the humbucker guitars. I also buy the strings in bulk.
I use Lava cables for the pedalboard with soldered Switchcraft connectors.
I use Evidence Audio instrument cables.
I still use a Shure 57 to mic up the guitar cab.
I use Pedaltrain pedalboards (PT Pro, PT 2, PT Jr).
I use Voodoo Labs Pedal Power boxes to power the boards. I should buy them in bulk.
I now use an iPad for my charts. I guess I am not too old school after all.